Friday I went to the graduation show of the Rietveld Academy in Amsterdam, today I visited its counterpart from The Hague.
Bachelor and master students in ten disciplines displayed their works.
Check a large photo review of the show on our Flickr account, but if you cannot wait that long, Trendbeheer also went to The Hague and published their report. (Check out their reports of other Dutch art academies too.)
The Graduation Festival 2015 can be visited until Thursday.
Roos van de Kieft, Embody.
Liza Pace, Going Solo.
Marlies van Stolk’s “Tacky Couture”.
Top image: Amal Habti, Building Bridges. You can cross this bridge, but only with the cooperation of ‘the other’.
Tags: art academy The Hague, exhibitions, exhibits, Royal Academy of Art
Yesterday I went to the Rietveld art academy in Amsterdam to look at the graduation exhibit and take some pictures.
You can find a full visual report at our Flickr page. At the time of writing I still need to add in the names of the artists and the titles of the works. Trendbeheer also took a peek.
You can still visit the show today and tomorrow. And if you can you should, photos rarely do justice.
McJesus by Casper Braat. They sold fries beneath the famous golden crosses.
Wouter Paijmans, Untitled.
A horse with a built-in bedroom by the mysterious Anna/Hanna/Hania Sobolewska.
Sometimes jewellery wears you. Draagmuur (‘load-bearing wall’) bij Laura Klinkenberg.
Photo at the top: Jana Vukšić, Imprint.
Tags: exhibitions, exhibits, Gerrit Rietveld Academy
Bert Kreuk, an art collector and ‘art flipper’, someone who buys art and resells it sooner rather than later to turn a quick profit, has won a lawsuit to the tune of € 898,000 against Danish-Vietnamese artist Danh Vō.
A Rotterdam court ruled in favour of Kreuk who had entered into an agreement with Vō to be promised an installation that was to be “large and impressive” and “fill an entire room”, but instead Vō presented him with an existing sculpture, ‘Fiat Veritas’, a cardboard box covered in gold leaf that was on loan to Kreuk’s exhibition ‘Transforming the Known’ at The Hague’s Gemeentemuseum. As Vō only loaned the existing artwork, which meant that it was not be sold as well as not being anything “large and impressive”, Kreuk decide to sue.
The Rotterdam court upheld Kreuk’s claim that Vō had agreed back in January 2013 to produce one or more new pieces for his exhibition and that had not been honoured. Kreuk had also taken out an injunction to prevent Fiat Veritas to be returned to Vō, but that was not upheld. The court has ordered Vō to produce the promised artwork and Kreuk will pay the € 350,000 agreed upon at the time, even though Vō’s pieces today sell for much more than that.
While Kreuk claims that justice has been served, Vō is appealing the decision claiming that his “artistic integrity has been violated by the court” by asking him to produce a “large and impressive” work.
For anyone who wants to read the background of this entire imbroglio that started about a year ago, grab a beverage and dig in here.
(Links and photo: www.theartnewspaper.com, news.artnet.com)
Tags: Bert Kreuk, Rotterdam, The Hague
Would you like to own a ‘real’ Van Gogh without either risking bankruptcy or an entry in Interpol’s ‘most wanted’ list?
The Van Gogh Museum in Amsterdam comes to the rescue. In 2013 the museum started a collaboration with Fujifilm to 3D print copies of famous Vincent van Gogh paintings that are said to be indistinguishable from the originals when viewed with the naked eye.
Every brush stroke is copied in these replicas (called Relievos) which go for about 25,000 euro each. Art historian Ko van Dun saw one last week and reports:
The copy is so good that it is indistinguishable from the original. Not nearly distinguishable, not even a little, just not at all. Yesterday I stood in front of one, an experience which left me flabbergasted. You are for all intents and purposes looking at a true Van Gogh – in my case The Harvest from 1888, one of the painter’s most famous works – with the exact same colours as the original, the exact same highlights, relief, everything.
So far [the museum has failed to] find customers, but that would seem to be a matter of time.
The possibilities of this technology boggle the mind. Van Gogh Museum hints at some of them when it alludes to its “mission to inspire and enrich as large an audience as possible”. In other words, next time you stand in front of a Van Gogh, it might not even be the original.
You can see some of the technology behind the 3D scans in this YouTube video.
(Link: Trendbeheer; illustration: extreme close-up of The Harvest via Van Gogh Museum)
Tags: 3D printing, forgeries, Fujifilm, Van Gogh Museum, Vincent van Gogh
The city of Ede, Gelderland, working towards profiling itself as a food town (Dutch), has produced Vincent van Gogh ice cream that it said to taste like potatoes for its Vincent van Gogh year 2015. The special taste was inspired by Van Gogh’s The Potato Eaters, which hangs in Amsterdam’s Van Gogh Museum.
Earlier this year the mayor of Ede presented Vincent beer. Vincent beer, Van Gogh ice cream and tons of other food will be available during the two-day event Food Unplugged on 26 and 27 June, with 600 food professionals in attendance.
(Link and image: www.gelderlander.nl)
Tags: Ede, Gelderland, ice cream, potatoes, Vincent van Gogh
Cafe Averechts in Utrecht has been around since the 1980s and continues to flourish amidst dwindling profits in the hospitality sector. The cafe’s ‘reverse’ approach to profit-making is the key to their brand of success: it is entirely run by volunteers.
Before anyone thinks ‘why would anyone work for free’, it is important to know that all pop venues in the country rely on volunteers. If you were to remove all pop venues that make a loss in the Netherlands, not a single one would be left standing and the country would be a cultural desert. Even the Paradiso in Amsterdam is subsidised by the city and in order to enjoy a favourable tax rebate as such, patrons pay a membership fee with their tickets. That’s right, the most famous Dutch club in the world needs government money.
During the week Averechts features a small stage with music, poetry and the likes as well as vegetarian food (vegan on demand) at a low cost. It also has lots of beers and more than 20 kinds of whiskey. All profits made go straight to charities and any tips are doubled (you put in one euro, the house matches it, we imagine) to send even more money their way.
Averechts is also a great place to celebrate King’s Day if you’re in Utrecht.
(Photos: Cafe Averechts)
Tags: Averechts, Paradiso, subsidy, Utrecht
The Zaans Museum in Zaandam near Amsterdam has acquired a painting from French painter Claude Monet, entitled ‘The Voorzaan and the Westerhem’ for a record amount of 1,160,000 euro. The Zaans Museum is the third Dutch museum to own a Monet from the Zaandam period, the other two are in more well-known museums, the Van Gogh in Amsterdam and the Kröller-Müller Museum in Otterlo. Fans will be able to admire the painting as of this fall.
In May 1871 Monet left London to live in Zaandam where he made 25 paintings. His main attraction was the landscape, windmills, the river Zaan, and the typical wooden houses of the area. “Zaandam is quite remarkable and there is enough to paint for a lifetime,” Monet wrote to his friend and colleague Camille Pissarro. “Houses in all colours, hundreds of mills and delightful boats.”
(Links: www.trouw.nl, www.monetinzaandam.nl)
Tags: Claude Monet, museum, Zaandam
A Dutch art installation entitled ‘Tender’ created by four students at Leiden University features a piece of meat (pork?) that swipes profiles approvingly in a fake version of the popular dating app Tinder. The artwork is set to debut at the Habitat art exhibition in Amsterdam this weekend.
In casual Dutch, ‘checking people out’ is called ‘vleeskeuren’, which literally means ‘to check out the meat’. The creators have an actual piece of meat doing that for them in the video: by swiping right, the ‘user’ is approving all the profiles it swipes, going for a match, but maybe all ‘porky’ will get is a flash in the pan. The four students are probably guys because their app is searching for women, so they’ll get bikinis and sunglasses but miss out on guys petting tigers and holding fish — take my word for it.
Just last month Tinder reunited a brother and sister both searching for a ‘sex date’.
(Link: www.tech365, Photo of Tinder app by Wayan Vota, some rights reserved)
Tags: app, Tinder
Making the rounds since last fall and distributed by Dutch company No Strings, the Bosch camera app lets you add some Hieronymus Bosch characters to your pictures. I gave it a quick spin with my paper bin (see pic) and it is fun and easy to use.
“Bosch camera reanimates 500 year-old creatures and people taken from the paintings of Bosch. A stroll in the woods or a visit to the local supermarket could turn in an awesome adventure.”
It’s Bosch’s famous characters that keep so many people intrigued, even to the point of deciphering buttock music from the famous painting ‘The Garden of Earthly Delights’, which is currently the object of feuding Spanish museums.
(Link: Hieronymus Bosch The Movie on Facebook)
Tags: Android, app, iPhone
Two Spanish museums, both located in Madrid, the Prado Museum and the newly built Museum of Royal Collections, are having a ‘Mexican standoff’ that involves fighting over four paintings, including the world-famous tryptich ‘The Garden of Earthly Delights’ by Dutch medieval painter Hieronymus Bosch. The new museum is scheduled to open in 2016 and has been told by many experts that it won’t attract the number of visitors expected with the pieces it currently has in its possession.
The Spanish royal family have owned the Bosch painting since 1593 and had it restored in 1933 then stored at the Prado in 1936. The painting has been on loan for a long time, but now that the Museum of Royal Collections wants to have it, the Prado won’t budge. The chairman of the Prado’s board said that if the country’s public heritage agency who owns the painting wanted to have it for its new museum, they’d have to “wait until hell freezes over”. Other museums around Spain are on alert because some of their paintings could be next.
(Links: www.nytimes.com, www.omroepbrabant.nl, Illustration: fragment of Hieronymus Bosch’s The Conjurer)
Tags: Hieronymus Bosch, Madrid, Spain