The lost painting showed up on BBC’s Antiques Roadshow, as the owner explained that their great-great grandfather and the artist were close family friends and their great-great grandmother was the governess of Tadema’s children. According to the show, Alma-Tadema holds the record for a Victorian painting at US$36 mln (about EUR 32 mln) for an enormous picture sold in New York a few years ago, but this painting is smaller and would be worth less, with no estimation suggested.
The painting has been restored and will be part of the upcoming touring exhibition of Alma-Tadema’s work at the Fries Museum as of 1st October. The portrait was exhibited at the Royal Academy in 1884, and went on display again in Liverpool in 1913, after which it hadn’t been seen until now.
UPDATE: the BBC showed aired, and the painting was valued at 230.000-346.000 euro.
On 7 October, Ukraine is giving back five masterpieces stolen from the Westfries Museum in Hoorn, North Holland 11 years ago. Twenty-four Dutch Golden Age masterpieces and 70 pieces of silverware were stolen from the museum on January 9, 2005, which back then had an estimated total value of 10 million euro.
In Ukraine earlier this year four Dutch Golden Age masterpieces were recovered in dubious circumstances while a fifth painting was handed back to Ukrainian authorities by an Ukrainian art buyer, also under dubious circumstances. The five paintings were ‘A Peasant Wedding’ by Hendrick Boogaert, ‘Kitchen Scene’ by Floris van Schooten, ‘Return of Jephta’ and ‘Lady World’ by Jacob Waben, and ‘Nieuwstraat in Hoorn’ by Isaak Ouwater.
To celebrate the return of the paintings, the museum will let people in for free as of 8 October for a week. The bad news is, ‘A Peasant Wedding’ and ‘Kitchen Scene’ are in very bad condition and will need crowdfunding to pay for their costly restoration estimated at 100,000 euro.
From 13 September through 17 September from 11:00 to 17:00, Amsterdam artist Pavèl van Houten will have a shop open that is actually an art project on the Mercatorplein in Amsterdam West selling worthless junk. You’ll be able to browse through and purchase stuff like bottle caps and plastic bits for ‘flutten’, fake money that derives its name from ‘flut’ meaning ‘trash’. The shop will be housed in a wooden structure not far from 24oranges HQ, so we’ll pay it a visit and report back to you.
The more useless the item, the more ‘flutten’ you’ll get for it. The fun stuff collected by the shop will be exhibited by Van Houten in the Waardeloos Museum, which will open at the public library on the Mercatorplein and two shops nearby. The shop of useless junk has already done the rounds in Breda, Leeuwarden and Vlieland. Items such as coloured plastic, expired public transport tickets, crooked nails, flattened beer caps and broken water balloons are very popular.
Challenge accepted: we’ll going to try and top that.
Amsterdam artist Femke Schaap, known internationally for her “life-size, spatial film-installations”, is being jerked around by Amsterdam’s Zuid district who has suddenly dropped a commissioned project of hers that’s been seven years in the making. Schaap has 200,000 euro hanging in the balance owned to her once the work is placed, and is taking the city to court to make sure it gets placed according to their binding agreement.
The video-installation WEstLAndWElls, has white blocks with video projections of fountains, which would only be turned on after sunset – that’s it, nothing vulgar or controversial. Built to be placed on the Theophile de Bockstrook, a local green patch, the artwork had already angered residents a few years back who took to writing letters. Everything they complained about was verified and deemed unfounded, like claiming children could hurt themselves, attracting graffiti and even causing epileptic seizures. It sounds like the neighbourhood was already upset about all the construction around them (houses, schools and parking) and WEstLAndWElls became the drop that made the bucket spill over.
According to the artist, the fountain projection is in slow motion and ‘romantic’, there’s a budget for an anti-graffiti crew for ten years and no one is going to hurt themselves on the artwork. Problem is, the city district legally dismissed all the letters against placing the artwork, but all of a sudden has decided not to place the artwork after all, to everyone’s surprise. But they can’t just do that. Schaap’s lawyer claims the whole situation has been “stressful and damaging” for the artist and her excellent international reputation.
This isn’t over yet, or as a friend of mine would say, it went from a ‘situation’ and it’s turning into a ‘-gate’.
Together with his collaborator, engineer Arjen Beltman, they are taking deceased animals to the next level by creating something they can fly in themselves, which reminds me of the flying moths from the 1990s science-fiction series, Lexx.
“If I’m going to fly, I want to fly in something weird. So we’ve been thinking about animals that are big enough to fly in. We have a cow at the moment – it’s at the tannery right now. It’s going to be like a bovine personnel carrier, but airborne,” Jansen explains.
A Belgian man from Turnhout, Jan Starckx, bought a portrait of a young girl in a red dress for 450 euro, which has turned out to be an original Willem de Kooning (shown here), a Dutch-American painter originally from Rotterdam.
Authenticated by experts on the BBC television show ‘Fake or Fortune’, the painting has been valued at between 55,000 and 100,000 euro. Starckx intends to exhibit the work first in Turnhout and then in Sint-Jans-Molenbeek in Brussels where it was painted. In April the work will be brought together with a similar work, ‘Portrait of Renée’ at the Winterthur Museum in Delaware, USA.
“I thought it was a great painting and I was intrigued by the signature that misses the final ‘g’: ‘Wim Koonin’ it says”, explained Starckx.
Filed under: Art,History by Branko Collin @ 10:58 pm
The year was 1672. The 80-year war of independence of the United Provinces against Spain had been hard fought, but had also ushered in a golden age in which trade, science and arts blossomed. Now that progress was halting. The Treaty of Münster in 1648 had seen the recognition of the young Dutch republic as an independent nation, but 24 years later fresh enemies were at the door. England had declared war, followed by France and a bunch of German bishops.
An Anglo-French attack over sea had been thwarted with ease by the mighty Dutch fleet, but the weakened Dutch army could not stop the French from invading over land. The Dutch tried to retreat to the redoubt formed by the Dutch Water Line; a huge lake formed by flooding parts of Utrecht and Brabant. The flooding went slower than expected and it also made the people outside the redoubt feel they were being left to their own devices. People started panicking and started looking for scapegoats.
These scapegoats were found in the brothers Johan and Cornelis de Witt. The former was the grand pensionary of the provinces of Holland and Zeeland, which made him the de facto leader of a federation of provinces that preferred not to have leaders. It also brought him in direct competition with the line of Orange-Nassau which had assumed the stadtholdership and had turned it into a hereditary position. The Oranges were the favourites of many people who saw in the latest heir, William III, a new leader for the new war.
Cornelis had been framed for the crime of conspiracy and had been banished from the country. On 20 August 1672 his brother Johan came to pick him up from prison in The Hague, but outside a mad crowd awaited them. The rabble lynched the brothers, mutilated their bodies and cut parts off. The heart of Johan was cut out of his body and thrown in his face.
The painting shown here was created by Jan de Baen. On the back is written: “These are the corpses of Jan and Cornelis de Witt, painted from life by an important painter, as they were hanging from the gallows at 11 o’clock in the evening. Cornelis is the one without a wig, Jan de Witt has his own hair. This is the only painting painted from life on 20 August 1672 and therefore worth a lot of money.”
When fine art painter Willem van der Made saw a print he liked at a car boot sale in Oosterhout last Sunday and found out it was only 5 euro, he didn’t hesitate and bought the work.
When he got home and removed the cardboard back, he found another print hidden underneath. And another and another. The frame turned out to contain 63 lithographic prints in total.
Van der Made told BN De Stem that something did not feel right when he first lifted the frame. It was heavy and thick. “I immediately asked the salesman where he got the print. He told me that an old lady had asked him to clear out her attic which was full of stuff dating back to World War II.”
Van der Made believes that the frame was purpose-built to hide so many prints. “It was hand-made and reasonably deep. The prints all fit in.” The prints all depict biblical scenes. Van der Made wants to sell them as a collection.
Last week marked the graduation exhibitions of the art academies of Amsterdam and The Hague, and since I had the Wednesday off, I grabbed my camera and raced through the labyrinth that is the Royal Academy of Art in The Hague in two short hours.
My time there was way too short to form any solid impressions—I saw maybe a quarter of all the works on display. I dare say that there seemed to be minor themes running through the exhibition. A lot of works were displayed in relative darkness. The psychological phenomenon of hoarding came up a couple of times. The bedroom from hell was also something that seemed to have inspired a number of students.
Certain fashionable trends are copied almost verbatim. […] The boundaries between Instagram photos and well thought-out art works is getting thinner and in some cases, you can already speak of proper kitsch. KABK looks like Rietveld in that its artists will seamlessly find a spot in the commercial circuit.
Apart from Niek Hendrix the bloggers of Mr Motley and Trendbeheer have also visited the nation’s art academies to return with bushels of words and armfuls of photos.
Jurgen Braun who restores statues has programmed a robot to carve the 12 apostles out of stone for the Latin school in Nijmegen, Gelderland, a national monument.
The apostles’ socles were eroding and the statues became dangerous, which is why they were taken down. The robot, that hails from Tienhoven, South Holland, can produce one apostle in a week by working 24 hours a day, something a human just can’t do.
Although the robot can do a lot itself, an artist has to intervene in order to complete the statues properly because robots aren’t perfect, explains Braun.