And if it makes you feel any better, the Dutch world heritage people have gone so far as to have a video campaign that says “Our world heritage is world-famous, soon to be famous in the Netherlands”, which is passive-aggressive speak for ‘how embarrassing, we don’t even know our own heritage’.
The underlying gripe in the Dutch media is that World Heritage sites in foreign countries are way cooler because the grass is greener on the other side of the fence and all that. I’m a foreigner who thinks there’s some great stuff to see here that even my family pushed me to visit years ago, which helped my score.
Online auction site Catawiki has all kinds of stuff up for grabs, and as of last weekend, there’s a Dutch person selling off a complete mammoth skeleton.
According to the auction site, there are seven complete mammoth skeletons in the Netherlands, and this was the only one not owned by a museum. Originally found in the North Sea, the bones are not from the same mammoth, and were carefully collected over time. The skeleton is 3.2 metres high and 5.5 metres long, with 270 bones and two tusks that are three metres long.
Catawiki expects the skeleton to fetch between 200,000 and 260,000 euro. As of last weekend the highest bid was 35,000 euro.
The Frisian History and Literature Centre Tresoar in Leeuwarden, Friesland have made public a gift of 48 letters and 14 photos never been seen before they received from the family of the ex-husband of famous Frisian exotic dancer, Mata Hari. The only thing Tresoar had to do in return was turn it all into a book, so that everyone could enjoy the discoveries. The book ‘Don’t think that I’m that bad’ (‘Denk niet dat ik slecht ben’) by Marita Mathijsen-Verkooijen should be out at least in Dutch any day now.
One of the letters written during Mata Hari’s life in Paris in 1904-1905 talked about her one day become a mother and how difficult her life was in general, while in another she talks about living in Nijmegen and having to sell her bike to be able to survive. Mata Hari’s life story is a great read in itself, and these letters will certainly help historians and fans find out even more about her turbulent life. Next year in 2017, the legal documents of 1917 about her execution by a firing squad just outside Paris for being a German spy on 15 October 1917 will be made public, so stay tuned for more.
In the wake of the 1886 Eel Riots in Amsterdam, Dutch newspapers filled their columns with reports about the event, but it was French magazine l’Illustration that came out with these drawings by M. de Haenen 10 days later.
Fait sur place, these illustrations tell the story of the Palingoproer (eel riots), the bloodiest case of Dutch police brutality in the 19th century.
On Sunday 25 July 1886 a great mass of people gathered on the Lindengracht in Amsterdam to watch a cruel spectacle. Fish sellers had tied a rope between numbers 184 and 119 across what was then still a canal and a live eel had been tied to that rope. Men in small boats had to try and pull the eel from the rope—the winner would get the princely sum of 6 guilders, almost a week’s wages. This sport was called palingtrekken (eel pulling) and by that time already outlawed.
Four officers from nearby police station Noordermarkt decided to put a halt to the spectacle. They entered one of the houses to which the rope was tied and used a pocket knife to cut down the rope. Apparently the rope hit one of the spectators who started thwacking the police with his umbrella as soon as they left the building. Fast forward a couple of hours and a full blown riot was going on with police using their sabres and rioters throwing pavers.
Nightfall came and a drizzle helped to cool tempers. The next day, however, rioters stormed the police station which led to the army getting out their guns. As soon as the smoke had cleared (smokeless powder had only been invented two years earlier and was being introduced slowly to European armies), 26 rioters lay dead and observers (reporters, essayists, historians) started to explain what it was that just had happened.
Right-wing rags Algemeen Handelsblad and NRC, and the mayor of Amsterdam, tried to blame the socialists for being the instigators, but the public prosecutor thought that conclusion was preposterous—royalist inhabitants of the nearby Willemsstraat had even thrown red and black flags into the canal that the socialists had quickly brought to the scene of the riots.
Two thousands rioters were given prison sentences, police officers were treated to cigars and in 1913 the eel that involuntarily started it all showed up at an auction where it was sold for 1,75 guilders and was never seen again.
Filed under: Art,History by Branko Collin @ 10:58 pm
The year was 1672. The 80-year war of independence of the United Provinces against Spain had been hard fought, but had also ushered in a golden age in which trade, science and arts blossomed. Now that progress was halting. The Treaty of Münster in 1648 had seen the recognition of the young Dutch republic as an independent nation, but 24 years later fresh enemies were at the door. England had declared war, followed by France and a bunch of German bishops.
An Anglo-French attack over sea had been thwarted with ease by the mighty Dutch fleet, but the weakened Dutch army could not stop the French from invading over land. The Dutch tried to retreat to the redoubt formed by the Dutch Water Line; a huge lake formed by flooding parts of Utrecht and Brabant. The flooding went slower than expected and it also made the people outside the redoubt feel they were being left to their own devices. People started panicking and started looking for scapegoats.
These scapegoats were found in the brothers Johan and Cornelis de Witt. The former was the grand pensionary of the provinces of Holland and Zeeland, which made him the de facto leader of a federation of provinces that preferred not to have leaders. It also brought him in direct competition with the line of Orange-Nassau which had assumed the stadtholdership and had turned it into a hereditary position. The Oranges were the favourites of many people who saw in the latest heir, William III, a new leader for the new war.
Cornelis had been framed for the crime of conspiracy and had been banished from the country. On 20 August 1672 his brother Johan came to pick him up from prison in The Hague, but outside a mad crowd awaited them. The rabble lynched the brothers, mutilated their bodies and cut parts off. The heart of Johan was cut out of his body and thrown in his face.
The painting shown here was created by Jan de Baen. On the back is written: “These are the corpses of Jan and Cornelis de Witt, painted from life by an important painter, as they were hanging from the gallows at 11 o’clock in the evening. Cornelis is the one without a wig, Jan de Witt has his own hair. This is the only painting painted from life on 20 August 1672 and therefore worth a lot of money.”
Here’s our online version of reading a book on the beach: let’s all learn about the Dutch origins of New York City and more by American author and historian Russell Shorto who sounds like he could talk about it all day.
The first part is a quick introduction called ‘Why don’t Americans know about their own Dutch history?’, which starts by naming all the British things Americans usually know about their country and exposing the blind spot in people’s knowledge about anything Dutch.
Check out the rest, all short videos. Part 2 starts off with an explanation of the Castello Plan that we’ve used as an image.
On Saturday 23 July and the next two Saturdays after that, the palace of Noordeinde where the King and his family live, will open its doors to the public for the very first time. The public will be able to see a number of areas, such as the Grand Ballroom, with its gold chandeliers and marble walls. The rooms also feature the royal family’s impressive art collection and antiques.
As of 26 July and for four days in the week, the royal stables will also be included in the tour, where visitors will be able to see the family’s horse-drawn carriages. The visit will costs 6 euro because if they didn’t charge anything people wouldn’t come, according to the reasoning of the Netherlands Government Information Service (AIVD).
Although the palace being open is very special, its Princess’ Garden is accessible daily for free.
The racist door has now opened up as the Stop Oppressive Stereotypes (SOS) group published an open letter to the amusement park accusing it of featuring racist rides, one of which is Monsieur Cannibale and the other Carnaval Festival that features Asian stereotypes. However, Efteling asked SOS for a sit down and SOS haven’t responded yet – to be continued.
One side is telling the other to get a life and ideally a job and the other is having a ‘hey’ we never really saw things that way and it makes us feel uncomfortable moment, akin to the debate about Zwarte Piet. The Efteling says it mostly gets complaints about serving unhealthy food, but not about racist stereotypes.
I love Sacha Distel, the French singer and guitarist who sang this 1966 racist and sexist song that the Efteling chose to subject to children: it matches the ride perfectly in its bad taste. Distel’s song is about a white man captured in Africa by black cannibals who thought he was a spy, trying to politely plead the head cannibal (hence addressing him as Monsieur) not to eat him, but negotiates his way out of it by offering him porno magazines. The head cannibal laughs, brings the guy back to his harem for a week after which the guy lose 20 kilos and refuses to leave. The man basically shagged all the presumably black ladies who were all “hungry for it”.
Here’s a version of the song with a decent Dutch translation:
And since the French playback performance I posted in the original post was removed, here’s the same offensive performance sung in Spanish. He still pulls his eyes sideways to indicate the Chinese language at the beginning, so the Asian stereotypes are conveniently addressed by Distel as well.
Amsterdam resident Maurice Beljaars had first petitioned Twitter and then Unicode for a rainbow emoji flag, which would add a nice touch to any LGBTI-related news, instead of just using an ordinary rainbow.
Beljaars explains that the rainbow flag has been the international symbol of the gay community since the late 1970s. Unicode has already felt it was important to add recent emojis such as the croissant, cowboy and selfie, so why not the rainbow flag? Google employees have also recently made requests for emojis that better represent women in actual jobs rather than in superficial beauty situations and not too long ago many emojis with people in them became available in different skin tones.