As promised last week I have posted my photos of the Rietveld graduation exhibition to our Flickr account, and then some.
Among them photos of the photography of erstwhile 24 Oranges’ contributor Olivier Oosterbaan who graduated from Rietveld’s part-time programme DOGtime. You can find more of his work at olivieroosterbaan.com/work/.
Other artists represented in the album, apart from the ones already shown last week, are Anne van Klooster, Aisha Fouad, Roza van der Wal, Soren Dilling, Keiko Oyamatsu and Esther Brakenhoff.
See also: Don’t DIY Days – Part 2
(Illustration: Olivier Oosterbaan)
Tags: exhibitions, Olivier Oosterbaan, Rietveld
‘Funfair on the Nieuwmarkt, girl with beehive’ (‘Kermis op de Nieuwmarkt, meisje met suikerspinkapsel) is one of the main pieces of Ed van der Elsken’s retrospective exhibition at the the municipal archive of Amsterdam, but until recently the subject of the photo remained unknown.
The archive asked its Facebook followers if they knew who this girls was. As it turns out her widower recognised her in a previous exhibition and was all too happy to share her name: Margriet Swart.
Van der Elsken (1925-1990) was a street photographer and an important chronicler for Amsterdam during one of its most interesting periods, the 1950s and 1960s, when nozems (Dutch black leather jacket ‘bad boy’ type) provos (Dutch anti-establishment ‘bad boy’ type) made the city an interesting place to be again.
De Groene Amsterdammer explains his role: “Van der Elsken had an eye for what was brewing under that grey reality, a sense for rebellion and bold adventure, against the long leather coats and the bull pizzles of the police. This brewing is visible everywhere in Van der Elsken’s photos, in the faces of the boys hanging out in the streets and in the eyes of the girls at the funfairs.”
The exhibition, Amsterdam!, runs until 14 September 2014.
(Link: PhotoQ; illustration: PhotoQ / Ed van der Elsken)
Tags: Ed van der Elsken, hairdos, street photography, War on Fun
The students graduating from Amsterdam’s Rietveld School of Art & Design (in Dutch, Gerrit Rietveld Academie) will be exhibiting their graduation projects until Sunday 6 July 2014.
24 Oranges was invited to come and take a peek.
Some of the works, such as the dog above, were displayed without any explanation of what the student was trying to say—probably not necessary with a Disney-like creature anyway—or even the name of the maker. (There were sticky notes carrying the name Tim Maarse near this sculpture, but it wasn’t quire clear if the sticky notes referred to the sculpture or were a work unto themselves).
Other artists, such as photographer Casper Koster, left extensive documentation behind for visitors to peruse and take home. His series ‘Coulissen’ portrays actors as they are waiting in the wings of a stage for their next scene.
Setareh Magshoudi made a mobile mosque of paper: “From my own experience arose the need to create a space for my daily prayers, a temporary space which would provide private space and at the same time a sacred sense.”
Jessie Hoefnagel was knitting something big. Unfortunately, her seat was in a warm spot because of the sun, so by the time I got there all I found was a note saying “not here until it gets bearable”.
When I had finished walking around, three hours had passed and my feet were sore. Where did the time go?
I will post some more photos to Flickr when I get the chance (and will hopefully be able to add more names of the artists at the same time). Meanwhile, check out the exhibit in person if you have the chance or visit Trendbeheer, as Jeroen Bosch took a load of pictures.
Tags: mosques, sculpture
Céline Manz is a Zürich-born, Amsterdam-based photographer who graduated from the Gerrit Rietveld Academy in 2013. Earlier this year she published Hungry for Love, a book in which she cuts up titillating images to highlight their innate ridiculous nature. Sexy becomes silly really fast.
At least, that’s what I thought. New Dawn is not as sure about Manz’s intentions: “The reader has no choice but to remain unsatisfied. The result looks like Terry Richardson’s visual language (he gets a ‘thank you’ note in the book), but no clear stock can be made from this fleshy stew. Satisfying or lust inducing?”
Judge for yourself (note: decidedly NSFW). You can buy a print copy or download a PDF version of the book at Manz’s website.
Terry Richardson is an American photographer known for his amateur aesthetic, mature subject matter and controversial shoots. In 2001 he worked on an advertising campaign for Sisley also called Hungry for Love that Manz appears to have used as the basis for her book.
Manz is not the first Swiss-born, Amsterdam-based photographer we’re looking at this month.
Tags: appropriation, Céline Manz, collage, Fashion, sexuality, Terry Richardson
Words may not do justice to Dominique Teufen’s installation Afgelopen (‘Over’) which was exhibited at Nest in The Hague last April, but reviewers sure have tried.
Davos-born and Amsterdam-based Teufen created a room in which a party seems to have taken place, but with a twist—she removed all colours from the room. The result is disorienting as Trendbeheer noticed:
Your senses are being shut down completely. You’re walking in a subtle scenery of deafening silence. [...] It is dull, powerful, a feast.
Volkskrant added (PDF):
I saw the remains of a birthday party. Splashes of wine left in glasses, cigarette butts, stale peanuts, empty beer bottles, suffering potted plants, wilted wreaths; it is the morning after—you know how it goes.
That is what I saw. This is what happened. The blood disappeared from my cheeks. A dark blanket covered my mood. I realised I couldn’t remember a single happy moment from my life. The space was dead, as dead as a doornail. [...] This had been a Dementors’ birthday party.
And Metropolism said:
You don’t know what you’re seeing. For a moment you feel like something is wrong with your eyes, maybe somebody has been working with black lights. I thought I was seeing light blue and pale red as my eyes were searching desperately for colour. That’s when a circuit in my brain shorted. It could not deal with the fact that I had stepped into a black and white photo. My nose suddenly detected a filthy chemical smell that wasn’t there.
Teufen likes to work with mixed media, photography and a black & white copier, as you might have guessed. There are no plans for another exhibition of Afgelopen in the immediate future. Teufen will be exhibiting other work at the Uno Art Space in Stuttgart, Germany starting 14 June.
(Photo: Trendbeheer/Jeroen Bosch, some rights reserved)
Tags: black and white, colours, Dominique Teufen, installations, monochrome, monochromes, photo copiers
Women with Beards (note: occasional nudity) was an art project that ran from 1997 to 1998 in which every month a photo and biography of a bearded ‘babe’ was added to a website. Ine Poppe and Jetty Verhoeff ran the project and the beards were applied by make-up artist Ellen Wenniger.
The artists write: “In former days women with beards were exposed as an aberration at fairs. In the 21st century female facial hair will be the ultimate of sexual seductiveness.” And elsewhere they add: “Several articles have by now appeared about our project: they raise questions about our playing with gender. We don’t have a cut-and-dried answer to these: we just want to amuse and entertain. Like Jetty said to a Dutch journalist: ‘In my imagination our calendar is pinned to the wall with scotch tape in a garage in Australia.’”
In 2008 the project was part of the Kiki on Steroids! exhibit (again, NSFW) which explored “the world of transgenderism and self-representation on the Internet”. In this exhibit photos of “hairy babes of the month” were displayed almost life sized over toilets and urinals.
(Illustration: cropped screenshot of the Women with Beards website)
Tags: beards, femininity, Jetty Verhoeff, masculinity, Natasha Gerson, women
This image over the coast line of the Netherlands is one of the early radar scans taken by the Sentinel-1A satellite, launched by the European Space Agency (ESA) on 3 April, which is said to be able to provide imagery under any weather conditions, day or night.
You can see Amsterdam on the centre-right side of the image, and in the lower part there’s Rotterdam, with its huge port extending to the left. As well, “Sentinel-1′s radar will also be used for monitoring changes in agricultural land cover – important information for areas with intensive agriculture like the Netherlands”.
(Link: phys.org, Photo: ESA)
Tags: ESA, satellite, space
On Tuesday April 29 crowdfunding website Kickstarter now features a page for the Netherlands. Before then, Dutch residents with good ideas had to register their project through another country like the United States. Since then, about 30 new project ideas have popped up on the Dutch page, while the rest are projects that were around when they had to circumvent the country issue. And just like in other countries, Kickstarter takes 5% off the top when and if projects achieve their financial goal.
One of them was more fun than anything else: the ‘Fish on wheels’ (on Kickstarter). Other projects include lots of board games, music, tech, film and inventions.
Tip to the lightbulbs: please let someone check your English if you want to be taken seriously.
(Link: www.bright.nl, Photo of Lightbulb by Emil Kabanov, some rights reserved)
Tags: games, inventions, Kickstarter
Following up on the selfie, Dutch word of 2013, there’s a new variant, the ‘stemfie’, which means taking a selfie while voting. The Dutch word for vote and also voice (noun) is ‘stem’, hence ‘stemfie’.
The trend kicked off during the last municipal elections on March 19, but now it’s time to go to court over it. Posting a selfie with your filled out voting ballot violates voting secrecy and therefore should be forbidden, according to the Dutch Foundation for the Protection of Civil Rights. The Ministry of the Interior has no problem with selfies and even encourages them, but this foundation claims international jurisprudence and says it’s a big no-no.
For the upcoming European elections, Belgium’s Guy Verhofstadt, campaigning to be head of the European Commission, has told voters, “Send us your selfie, showing us where or how you enjoy the benefits of European integration. Did you just board an airplane on a cheap flight or crossed a border without having to use your passport or to change currencies? Put it on your instagram profile and tag it with #selfEU.”
Illegal or not, I’m more worried about electronic voting in the Netherlands. In 2007, the government axed electronic voting because hacking into the devices was child’s play, and in April of this year, they’re planning to reintroduce electronic voting.
UPDATE (9 May): ‘Stemfies are not forbidden’, says a high court in The Hague (in Dutch).
(Links: www.markpack.org.uk, www.binnenlandsbestuur.nl, www.neurope.eu)
Tags: Guy Verhofstadt, Instagram, politics, selfie, voting
In 2009 four organisations decided it was time to reboot Dutch travel postcards, the ones containing cheese, windmills, cows, cheese, wooden shoes, cheese, cheese, tulips and cheese, amongst others. Have I mentioned cheese?
They asked the public to come up with new iconic images of the Netherlands and some 8,000 people responded by sending in photos, often reproducing, referencing or riffing off the same old icons. The resulting postcards were displayed in a travelling exhibition called Nieuwe Groeten Uit… and writer-photographer Hans Aarsman and writer Anna Woltz collected a selection of the cards in an almost-postcard-sized book of the same name.
Hans Aarsman told his publisher Nieuw Amsterdam in the video interview shown here: “You see a lot of family photography. For instance, there is picture of a father and son peeing off a boat together, taken from the back—you just know the mother took that photo. [...] You [to Woltz, ed.] wrote about how people photographed their pets, believing the result to be iconic images of the Netherlands. And the funny thing is sometimes that is true.”
The Nieuwe Groeten Uit… exhibit was organised by the short-lived Nationaal Historisch Museum and by FOAM, ANP Historisch Archief and BankGiro Loterij.
(Source photo: Flickr / Nationaal Historisch Museum)
Tags: ATMs, Flevoland, Nationaal Historisch Museum, tourism, traits, travel