Meet Teun Castelein. His plan is to sell you boats that African refugees (the successful ones) used to reach the shores of Europe. Apparently these boats end up being destroyed by the town of Lampedusa in Italy, but Castelein sees a second life for them as the pleasure boats of the citizens of Amsterdam.
Castelein, 1:53 into the video:
Take this one. I believe this boat really suits Amsterdam. There is something cosy about it. This is a boat that makes you want to spend time with your friends. With its two benches facing each other it is excellently suited for sipping a rosé. It even has a cute little roof for when the sun is beating down on you. [Picks up a booklet from the deck] By the way, to seal the deal I include this authentic Gambian passport, just so you know where this boat came from.
AT5 says of Castelein that he tries to find the boundaries of the free market. In the past he unsuccessfully tried to register the brand Allahclothing. He also introduced marihuana cheese: “I live in the souvenir shop that is called Amsterdam. […] Eighty percent of the tourists are 35 years old or younger. And they all come here for the weed and the cheese. The Netherlands should embrace this product as it represents the tolerance, craftsmanship and trader’s spirit that have dominated Amsterdam for centuries.”
In 2004 the city of Amsterdam measured that on a sunny Summer day, on average 764 boats (PDF) pass any given point in the city centre. Busy sluices even process up to 1132 boats per hour.
(Link: Trendbeheer, Photo: crop from the video)

Visitors of the KunstRAI art fair in Amsterdam are confronted with an art work by Bart Jansen even before they enter the building. The corpse of a giant blue bird, the famous brainchild of American puppeteer Jim Henson (and yellow in its native country), is slowly passing the last of its warmth to the cold, grey pavers. 



Google has published a bunch of statistics on its online art gallery Google Art, which is a collaboration between Google and 200 art collections worldwide.






The Rijksmuseum (
Amsterdam-based artists Lernert & Sander write: 