Composer Melchior Rietveld won a court case against copyright collection agency Stemra last week over music he wrote for an anti-piracy ad.
In 2006, Dutch musician Melchior Rietveldt was asked to compose a piece of music to be used in an anti-piracy advert. It was to be used exclusively at a local film festival. However, when Rietveldt bought a Harry Potter DVD in 2007, he discovered his music being used in the anti-piracy ad without his permission. In fact, it had been used on dozens of DVDs both in the Netherlands and overseas.
In order to get the money he was owed, Rietveldt went to local music royalty collecting agency Buma/Stemra who had been representing him since 1988 but had failed to pay him any money for the anti-piracy piece previously registered with them.
Stemra deliberately kept Rietveld in the dark about the number of DVDs that had the pirated music on them, and initially refused to pay him money. After a lot of nagging Rietveld was contacted by a board member who offered him a fast track to his money if only he would split the loot with said board member.
Rietveld claimed 100,000 euro in damages, but the court only awarded him 20,000 euro (Dutch courts rarely award anything more than ‘proven’ damages), so Stemra now asserts this is a big win for them. Since the government is ultimately responsible for the dealings of the copyright collection agencies, I have my doubts—again—that this will ever lead to a second of jail time for the likes of Stemra.


File sharing in the Netherlands shares a strange dichotomy with selling marijuana: acquiring the stuff is completely above board, but distributing it is illegal.
BUMA/Stemra has decided not to pursue its blogger’s tax of 160 euro per 6 embedded songs for 2010. At the same time, the collecting society for composers and performing artists has closed a deal with Youtube, allowing the Google daughter to serve videos containing music to a Dutch audience.
Judge J.H. Huijzer has ordered in what must be one of the silliest court findings of recent times that companies whose employees bring iPods to work, must pay copyright collectives for the music.