Back in 2011 designer Martine Poot from Vlaardingen of Studio Martijntje Cornelia started producing rings made from real cotton candy, which have been shaped by the environment.
“Changing to the wearer’s daily lives, the accessory reacts to sunlight or water, enabling it to uniquely change its form and color. Hand-made, each ring is unique and the transparent base emphasizes the pop of colour.” The rings are made from candy floss (aka cotton candy) and resin.
It’s been around for a while, but it’s still pretty cool if you haven’t seen it: a walking table made by Wouter Scheublin. It does need to be pushed and occasionally pulled, but the end result as shown in the screenshot of the video gives me that Dutch holiday feeling.
Designed by Dorine Vos, the Parqer glass is a proper wine glass with a sharp-ended aluminium stem instead of a glass stem and a foot you can plant into the ground, be it in a park, a beach or in the forest. This also means you can drink decent wine instead of some Château Migraine in a plastic cup.
A set of two glasses comes in a shockproof casing where the glasses don’t touch the sides, while the aluminium stems come in different colours like silver, gold, black and green. Vos came up with the design after her own experiences sitting in the parks of Amsterdam, which I can tell you means having to drink out of soft plastic cups.
Boyan Slat, the young Dutch inventor who came up with an inventive way of cleaning up the oceans, has recently unveiled the prototype of his ‘ambitious sea-cleaning device’ in Scheveningen, South Holland.
“Why move through the ocean if the ocean can move through you?” Slat asked at a press conference during the unveiling. He plans to use a 100-kilometre long V-shaped barrier made up of large, rubber pillow-shaped buoys floating on the ocean surface that trail a three-metre long curtain from its arms into the water.
Slat hopes to fully roll out the system in 2020, which could capture up to 3,000 cubic metres of plastic soup. Find out more at The Ocean Clean Up.
(Link: phys.org, Photo: screenshot of Tedx presentation)
British advertising agency D&AD have recently announced this year’s winners of their D&AD Pencil Awards for creative excellence in design and advertising, and the Netherlands nabbed seven awards this year, three less than last year. Studio Joost Grootens picked up a coveted Pencil award for the design of the new Dikke Van Dale, the “oldest and most extensive dictionary of the Dutch language”.
The pearly white cover presents a major break with the familiar dark hues [dark blue, maroon, etc.] traditionally used by the publisher. This signals the current association between the pursuit of knowledge and our use of white and silver digital devices as the portals to information.
With Almost 5000 pages of knowledge and in its fifteenth edition, this year the Van Dale was also fitted with navigational elements such as colours, symbols and illustrations.
Designer Jacqueline Storm has embarked on a project to make a drawing of a different iconic Dutch subject every day.
Some of her subjects such as wooden shoes and the king are perhaps a bit clichéd, but that makes it the more interesting to see if she can keep it up. How many things exist that simply scream ‘Dutch’? We’re about to find out.
Storm started her project on Facebook on 19 April and so far she has covered subjects ranging from Miffy to black liquorice to fries with mayonnaise to the national bird, the black-tailed godwit. At the time of writing she has created 12 drawings in the series.
For those of us who can’t still still, imagine sitting or moving around in your chair and charging your mobile phone at the same time. Thanks to Dutch designer Nathalie Teugels, you’ll be able to do just that: her chair called MOOV has 288 piezoelectric crystals under the seat cushion that produces electricity when it’s compressed.
Teugels was told way too often to ‘sit still’ and instead of catering to that, she decided to design something that would embrace the fidgeting, especially people with ADD. In fact, sitting upright in the chair can charge it up as well, so it’s a win-win for anyone sitting down. The chair is currently a working prototype, so we’ll have to sit tight for a while until we can get one.
If someone could do that with the utterly useless and annoying habit of pen clicking, I’d be a tad less misophonic. I actually carry pens around to switch them out to people who click them.
Dutch designer Dave Hakkens has created devices described as ‘a solution to plastic pollution’ that people can download and build themselves. The series is called Precious Plastic machines, which uses everyday materials and basic tools Hakkens says are available around the world.
Precious Plastic machines include a shredder, extruder, injection moulder and a rotation moulder, which can all be used to turn waste plastic into new products. Hakkens first showed prototype versions at the Design Academy Eindhoven graduation show in 2013, and has spent the last two years refining the designs.
Hakkens wants to deal with the reported 311 million tonnes of plastic waste humans create every year, of which less than 10 per cent is actually recycled. “A lot of things we have are made from plastic. It’s used everywhere, but it also ends up everywhere, damaging our planet.”
In late 2013 Hakkens partnered up with Motorola in order to create mobile phones to combat electronic waste: not throwing out an entire phone and swapping out a broken component instead.
This aluminum gradient chair on display in New York in 2014 was the second in a series of three chairs that researched microstructures for furniture. According to Laarman, it was designed and directly laser sintered in aluminum, basically creating a lightweight aluminum foam that is engineered on a cellular level to address specific functional needs for different areas in the object. The solid cells in the design create structural strength and rigidity while the more open cells create material reduction and lightness, all within one printing technique.
For anyone like me who usually finds ceramics dull, Dutch designer Floris Wubben of Eindhoven has found a way of making ceramics cool. He created a rotating flame-throwing device that makes exciting textures on his ceramic pieces.
A wet ceramic piece is placed on a rotating central stand, where an adjustable semicircular arm holds a blowtorch. The blowtorch then applies a flame directly to object’s surface, creating all kinds of patterns.
Wubben is able to control the flame, the distance and the speed at which the blowtorch hits a ceramic piece, creating cooler patterns than you’d normally see on ceramics. Wubben has produced bowls, pots and cups with different glazes in collaboration with Cor Unum ceramics studio of Den Bosch, Noord-Brabant.