When I occasionally zap to Jeroen Meus’ cooking show on Belgian TV in the evening, I could play a drinking game and get very messed up by drinking every time he uses Flemish diminutives like ‘evenkes’ (a while) and ‘boske’ (small bunch). As a foreigner who learnt Dutch on the street and who has Flemish friends, I can understand him. So why is a food journalist claiming that the Dutch can’t make out what he’s saying? Because they favour their own words and can’t be bothered to do a little research.
The Dutch journalist said it would be best to translate Meus’ cookbook from Flemish into Dutch, which is a touchy subject. But once the journalist claimed that the cookbook was ‘as good as useless’, it got media attention. It’s a ‘hellish job’ to figure out what the Flemish words mean in the recipes. Really? And all those English/Australian/American variants on products and measurements the Dutch all know by heart? Get real and broaden your horizons already.
(Link: standaard.be, Photo: my easy to understand and make banana muffins, available in normal and vegan variants)

On May 1, 2009, the major Dutch state fund for the visual arts, BKVB, did something remarkable. They appointed a champion for comics. This champion, Gert Jan Pos, seemed well chosen, because he took a large bag of shiny golden coins, and has been roaming the land with it since, handing out money to whatever comics artists struck his fancy. 
Jeroen Funke (illustration) won the Jan Hanlo Media Essay Award 2011, and his award winning story is in this issue. The award was given to the winner of a competition for essays in comics form about sensory perception. Funke has his regular heroes Victor and Vishnu discuss how growing up adds filters to our senses that prevent us from seeing (and feeling, smelling, tasting) what’s really there.
Peter Pontiac (illustration), an underground comics giant from the 1970s who went mainstream-ish with his autobiographical Kraut (about a father who worked for the wrong side during the war), received the Marten Toonder Award 2011 for his entire body of work. In this issue he fills the two pages of The Sketchbook Of, a recurring feature.
Awards? Awards?! Eindhoven Design Academy graduate
Amsterdam is the



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